Graffiti
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oroueltv
Review of Graffiti in the Male Toilets, Edinburgh Airport, 27 January 2006
1. âNo More Proofsâ â Anonymous
Brief, poignant lament for the lack of homosexual love in the writerâs lonely existence. âThere are no more poofs,â anonymous says, as if to challenge the reader to find him a date for Saturday night. But is the work ultimately successful? Do we not feel that the writer is simply not going to the right bars? Has he tried internet dating? The text is challenging, but perhaps insufficient: we wait for the day when another anonymous graffitist will respond with a shaft of hope to illuminate this gloomy world-view: perhaps âbe here on Friday at 9pm if you like to suck hard cocksâ.
2. âCity 1 United 3â - Anonymous
In this example of neo-industrialist poetry, the author mimics a road sign providing navigational advice on the metaphysical highway. The city, claims the writer, is but one mile hence â but the city, even with its multicultural populace and profusion of high-quality sushi bars, is not the gleaming social utopia we really seek. For true unity lies beyond â perhaps through â the cityâs socio-economic institutions. The writer suggests â somewhat in a post-Marxist schema â that only when we have progressed from a rural, agrarian society and past the urban-industrial phase will we find true happiness: the âunitedâ world is still 3 miles away. Yet a note of hope remains, for are we not at least upon the right path? Is not the way (or âdaoâ) itself fundamental? Are there no service stations or roadside diners between us and the two destinations presented?
3. âEnglish cunts get outâ â âWillieâ
A radical re-imagining of Britainâs social history is presented in this fragment, where the poet âWillieâ suggests a new, gynocentric narrative of the Scotland-England rivalry, to challenge traditional phallocentric theories. Even the authorâs pseudonym is a cunning criticism of this male-dominated history of history, the infamous âpen is penisâ phallocy.
The author suggests, with a succinct if crude syllogism, that English women have more freedom than their Caledonian cousins: the âcuntsâ (to employ Willieâs metonymy) âget outâ more. One wonders if this disparity in social freedom really is the source of the age-old animosity between the two great nations â could not even Mary Queen of Scotsâ imprisonment in the Tower of London be seen as a locking away of the Scottish female animus?
Could this revolutionary criticism be extended â to encompass the history of the pudenda in Wales, or the Isle of Mannâs titties? One hopes so.
4. âBarry Connor is a twatâ - Anonymous
Well, the author hits the nail on the head here. Barry Connor â Christ, what a fucking wanker. I mean, how does he sleep, the fuck? I donât know.
